Ros Spencer Poetry Prize

My poem “Imago” won second prize in the 2026 Ros Spencer Poetry Prize. Of the poem, judge Jaya Penelope said “Subtle and generous, the poem offers something approaching consolation to those who are walking in liminal spaces of grief and loss.” The winner was Fiona Burrows for “Microchimeric” and all of Jaya’s beautiful comments can be read at the link below.

The two winners, highly commended and commended poems will all be included in the anthology Brushstrokes which is due for release in August and all winning poems can be read on the website: https://wapoets.com/ros-spencer-prize-winners/

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New review of High Wire Step

One of the many nice things about poetry is that it tends not to have a use-by date for publishers. It stays out there and you never know who will pick it up or when (often with fiction you have a limited window to be ‘new’ and then it’s rarely sent out or even read unless it’s a classic or you win a prize and your back catalogue gets promoted).  Flying Islands, of which I am Vice President, has a brilliant subscription model and for a very reasonable price ($100 a year) you get all new (8) books in the series plus 2 from the back catalogue. The lovely Jonathan Shaw, himself a poet and reviewer of small poetry presses received my 2018 book High Wire Step in the last batch he got as one of the back catalogue items and has graciously reviewed it here:

Magdalena Ball’s High Wire Step

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Interview at Printed Word Reviews

Recently I had the pleasure of being interviewed by publisher Ted Olczak for his Printed Word ANZ special issue.  We covered a lot of ground including such things as the way living in Australia has (re)shaped my voice as a poet, some of the themes that I’m seeing come through at writers festivals, the challenges facing independent publishers, how to break into reviewing, and even the links between myself in Australia and my great-grandmother Rebecca, who I wrote about in Bobish.  You can read the whole interview here: https://www.independentpressaward.com/subscribe

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Festival of the Spoken Word


In what’s looking like an exciting and busy August, I’ll be talking with the wonderful Joanne Fedler about her beautiful new memoir Bring Us Home From Sorrow on Tuesday the 4th of August at 7pm as part of Shalom Collective’s Festival of the Spoken Word.  Tickets are still available and we’d love for you to join us there. Visit: https://www.shalomcollective.com.au/whats-on/bring-us-home-from-sorrow

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Sugar Frosted Koans

My fellow writer and interviewer extraordinaire Ed McManis invited me to participate in his fun project Sugar Frosted Koans. Koans are meditations from Zen Buddhism that transcend rational thinking. Along with a dozen or so other poets, we were invited to contribute 2-5 Sugar Frosted Koans in McManis’ invented form of three stanzas with a repeating introductory line: “In Heaven…” with a volta or some twist or turn (I had Laurel Near’s very strange song from Eraserhead stuck in my head the whole time I worked on this project).  The book is now out on Amazon here and I’m pleased to be a part of it (I believe I’m the “Maggie Pops” on the cover):  Sugar Frosted Koans

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Melbourne Jewish Book Week 2026

When festival director Debbie Lee asked me if I would moderate a session titled Death, Grief, and Finding the Light for this year’s Melbourne Jewish Book Week with extraordinary authors Joanne Fedler, Katia Ariel, and Andrea Goldsmith, I was delighted. These authors have written some of my favourite books – all exquisite, and all people I’ve had the pleasure of being in contact with over the past year.  This is going to be such a powerful, nourishing session and if you’re able to attend, please come and join us.  Festival passes are on sale now, and I’ll update with individual session links when they become available.

Death, Grief and Finding the Light

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Sydney Writers Festival: Jane Messer

This Sunday I have the great pleasure of once again interviewing the fabulous Jane Messer about her book Raven Mother.  Jane and I spoke at the Newcastle Writers Festival this year and it was such a rich and powerful conversation but of course I had many more questions to ask and now I get to ask them!  This is a free event at the Randwick Library but unfortunately for anyone who hasn’t already booked, it is already sold out but there is a waitlist which can be joined here: https://www.eventbrite.com.au/e/sydney-writers-festival-jane-messer-in-conversation-tickets-1983588335107

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Write Here 2026

I’m delighted to be a part of the 2026 Write Here festival.  I have 2 events. The first is on  Friday, 15 May  from 10:00 – 12:00, a repeat of the fabulous Literary Cruise I did last year, leaving from Booragul Wharf. This year we will combine Devonshire tea with a relaxing cruise and immersive and eco-focused writing exercises that will give new life to your work as you engage with the beauty of Lake Macquarie and the fragility of our world.  Book here: https://library.lakemac.com.au/Events/Eco-writing-Cruise-with-Magdalena-Ball#

On Saturday 16 May, 12.30-1.30pm Windale Hub, bilyabayi, I’m hosting a  panel including George Kemp, Raaza Jamshed, and Clare Stephens called The First Cut

The session is free (gold coin donation only) but book in advance here: https://library.lakemac.com.au/Events/The-First-Cut-Debut-Novels#

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Mellow Fruitfulness book launch

Card media I’ll be launching Michael Liebowitz’ new poetry book Mellow Fruitfulness on Saturday April 18th at 2pm, Woollahra Library.  Everyone is welcome but please get in contact with me or Mike to request a formal invite if you’d like to join us so we can keep track of numbers.

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Australian Poetry Journal 14-2

I’m delighted to have my poem ‘Gravitational Waves” published in the latest Australian Poetry Journal (Volume 2, Number 2) guest edited by Bonny Cassidy & Alison J Barton.  These amazing editors have chosen such a powerful selection of work that I will be exploring this journal a long time.  In the Foreward, Alison and Bonny say: “At times subject matter entered the poems obliquely, at times directly, but always with urgency. It felt less like poets choosing their subjects and more like the times we inhabit pressing their imprint on the work.” I’ve only just begun reading through this hefty collection, but I’ve already found this to be true – these are striking poems which create, as the editors have put it, “an evolving conversation.”  This one is not yet for sale individually – subscribers get their copies first but when it is you can get copies here: https://australianpoetrypublications.org/   Or subscribe to the journal here: https://www.australianpoetry.org/subscribe/become-an-ap-subscriber/

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