Two new poems of mine, “Help on Arrival” and “La Grippe” have been published in the latest issue of Burrow, which has an ekphrastic/mental health theme. Both of these are from a new work in progress about my great-grandmother Rebecca, and her migration to the US from the Pale of Settlement in 1907. You can read the whole issue, which is really quite wonderful, here: https://oldwaterratpublishing.com/current-issue/
My poem, “The Lost Sister”, part of a new book I’m working on about my great-grandmother, has won first prize in the Hunter Writers’ Centre November Writing Contest. The contest was an ekphrastic in which we were given a series of prompts – visual and verbal – to choose from. My prompt was Picasso’s “Reading at a Table”. The poem can be read at the Hunter Writers’ Centre webpage here: https://hunterwriterscentre.org/november-writing-submissions/
My poem, “Qi Qi, the Endling” has been published on the Science Write Now website in their current issue #3. This is a pretty special issue which, as SWN puts it: “celebrates the myriad ways that poetry is in science, and science is in poetry, and how we find lyricism in the world around us.” You can find the whole issue here: https://www.sciencewritenow.com Or go straight to Qi Qi, the Endling here: https://www.sciencewritenow.com/poetry/qi-qi-the-endling
I’m delighted to have two poems featured in Swinburne University’s Backstory Journal Issue 10. Backstory is Swinburne’s history writing journal, and features all sorts of creative writing from poetry to fiction, academic articles, and reviews, all curated and edited beautifully. My two poems are “Empire Erased” and “Life Can Only be Understood Backwards”. You can check it out here: http://www.backstoryjournal.com.au/category/issues/issue-ten/
I am delighted to have a poem included in Red Room‘s Writing Water: Rain, River, Reef chapbook anthology. This beautiful little booklet is entirely hand-made and stitched, using all natural dyes, and features exquisite poems by the likes of Eunice Andrada, Tony Birch, Luke Davies, Georgine Reid, JV Birch, and Esther Ottaway. Copies can be purchased here: https://redroomcompany.org/goodies/writing-water-chapbook/
This Saturday, the 24th of October, 330-5pm, I’ll be one of nine poets performing at the Newcastle Library in the final event in the Stand up for Poetry program, The Language of Identity LIVE. Our work will reflect on the nature of identity and the role of language as an expression of identity. The event is free to attend, but bookings are essential: https://www.facebook.com/events/3586291861401561/ The event will also be livestreamed via the Newcastle Libraries Facebook page. The livestream is open to all and no bookings required for that.
Several of my poems have been published in the 2020 Sappho Anthology Sappho Lives! edited by Suman Lahiry and Heidi Chappelow. The book, a beautiful collection of 40 poems by mostly local poets, has, as the title suggests, a focus on queer themes, with a striking cover designed by poet and artist Claire Albrecht.
Sappho Lives! will be launched on Monday the 21st of September at Poetry at the Pub, The Wickham Park Hotel, 61 Maitland Road, Islington. All are welcome. There may also be a possibility of attending by Zoom. Details here: https://www.facebook.com/events/2310955502363048
I’m honoured to have a poem, “FKA”, included in the 2020 Australian Poetry Anthology, Vol 8, edited by Melinda Smith and Sara Saleh. The wonderful anthology, full of good work, is being launched on the 20th of July (that’s today at the time of typing!) online via Zoom, live-streamed to Australian Poetry’s Facebook Page at 7pm (AU EST), featuring readings from ACT poets Judith Nangala Crispin, Anita Patel, Isi Unikowski, and Merlinda Bobis, and from poets from across Australia including Laniyuk (NT + Vic), Shastra Deo (Qld), and Noemie Huttner-Koros (WA). There will be launch speeches by chair of Australian Poetry (ACT poet Martin Dolan) and the editors. The event also forms part of the Poetry on the Move Online festival and the ACT’s Where You Are festival. You can pick up a copy of the anthology here: https://www.australianpoetry.org/our-publications/the-members-anthology/
I’m very pleased to have two poems: “Migration is as Risky as Love” and “A Voice to Shatter Glass” in this month’s issue of The Blue Nib. Check them out here: https://thebluenib.com/2-poems-by-magdalena-ball/
I am excited to be the first non-Pitt Street Poetry poet to be invited to read for the LEGERE video poetry festival. PSP books are gorgeous (I hope one day to rectify the ‘non’ bit) and the readings have been a delight to watch and listen to. LEGERE is the Latin verb ‘to read’ (PSP likes their Latin!) and it also means light in French. Poets are asked to read one poem of their own and one poem that they love from another poet. For my other poet I chose Dorothy Porter (who else) and read the poem “Everything Becomes Mysterious” from my favourite DP book Other Worlds:
For my own poem, I read “Double Acorn” from High Wire Step:
You can check out all of the LEGERE readings here: https://www.youtube.com/channel/UCYtSvjO3cM8XvelGYDR7ONQ